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FADE IN Afternoon. Outside the temple at the top of the Areopagus. A few Theban soldiers stand around beside the temple and the surrounding trees. There is a whizzing sound in the air and a feathered arrow comes into view, flying toward the camera. Just as we see the tip of the arrow in extreme close-up, the camera pans to a circular shooting target pinned to a tree. The arrow embeds itself in the bulls-eye at the center of the target. The camera pulls back to show a grinning Theban soldier with a bow in his hand and a quiver full of arrow on his back. A few other soldiers with bows and arrows are standing beside him. The first soldier walks over to the target and yanks the arrow out. SOLDIER #1 (walks back toward the other soldiers): SOLDIER #2: SOLDIER #1: VOICE (off-camera): The soldiers turn and look toward a sentry standing on a ledge over the temple's portico, looking out over the plain through a looking glass. SOLDIER #2 (looks up): SENTRY (yells): The soldiers rush toward the edge of the hill. In the distance, they see what looks like a black cloud at the horizon, advancing across the valley toward the hill. SENTRY: SOLDIER #1 (sighs): LUCAN: He mounts a horse and rides down the hill. CUT TO A council room at the palace in Thebes. Xena, Gabrielle, Antigone and Actaeon are sitting at a round table with some officers and council members. ACTAEON: He looks to Antigone for agreement; after a moment she nods and turns to one of the officers. ANTIGONE: BRAXUS: He gets up and leaves. Antigone turns to Xena. ANTIGONE: XENA (after a brief pause): ACTAEON (shakes his head): Xena flinches and looks up at his words. ANTIPPUS: XENA: ACTAEON: Without another word, Xena gets up and storms out of the room. Antigone, Actaeon, the councilmen and the officers stare after her, puzzled. ACTAEON (to Antigone): ANTIGONE: ACTAEON: ANTIGONE: CUT TO Inside the temple where we saw Actaeon before. There are several priests and priestess of Ares dressed in robes of black, red and silver, kneeling before the altar chanting prayers. There are soldiers in the temple as well, watching the ceremony. Four beautiful young women in scanty outfits of crimson and black (somewhat similar to the Furies' outfits) sashay toward the altar, each carrying a ceremonial silver sword. As music swells, they start a dance that mimics combat, sparring and spinning as they dance, kicking out their feet, constantly exchanging sparring partners. One girl, pretending to be struck down, sinks to the floor with sensuous undulating movements and sprawls on the floor with her sword at her side. Then she rises, picks up the sword again and resumes the dance; after a few moments a second girl repeats the same motions. The soldiers eye them appreciatively while the priests and priestesses continue to chant. A blue light flares up over the throne in front of the statue. When it dissipates, it reveals Ares sitting on the throne, leaning back a little, his posture relaxed. There are gasps amongst the priests, priestesses and soldiers as they look at Ares. The girls stop their dance. Murmurs of "Ares!", "Ares, God of War!" roll over the assembled crowd.
ARES (nods and waves his hand): The dance resumes. CUT TO Outside the temple. It is an imposing building, with grey granite columns, decorative weapons, and two large statues of wolves at the entrance. Xena strides up to the temple, looking very determined. CUT TO The temple girls continue their dance. Meanwhile, a priest (a tall middle-aged man whose dark hair and beard are streaked with gray) and a priestess (a younger blonde woman) walk toward the altar, leading a goat by the horns. The goat is all black with a spot of white on its chest. The priests hoist the goat up on the altar. It bleats in alarm and tries to break free but the priest and priestess are holding it tightly. The priest draws a bejeweled dagger. PRIEST (holds up the dagger): Ares nods, stroking his beard. The music stops and the dancing girls retreat. CUT TO Xena marches up the steps of the temple toward the wide-open door. CUT TO Close-up on the goat as it looks up and bleats in fear. The camera pans to the dagger in the priest's hand, then to Ares as he watches with a rather bored expression. CUT TO Xena strides into the temple and stops for a moment, surveying the scenes. The camera zooms in quickly on the altar and the goat. Pan back to Xena as she grabs her chakram and hurls it at the priest, knocking the dagger out of his hand. The dagger clatters to the floor; we see a close-up of the priest's startled, angry face as he whips around. The chakram ricochets off the temple wall and comes flying back to Xena, who catches it. Everyone gasps and turns around. Xena is standing in the doorway, chakram in hand, looking very angry. The camera pans over the startled faces of the worshipers and the priests. Ares sits up, looking slightly annoyed but also interested. Xena strolls up toward the altar, re-hooking the chakram on her belt. She is confronted by the priest who was going to kill the goat. PRIEST (sputtering): ARES (rises from the throne, smirking): The priest looks back at him in shock while Xena walks toward the altar. The priestess is so shocked that she lets go of the goat. The animal jumps off the altar. XENA (to the goat, grinning): The priests and worshipers look from her to Ares, as if not quite sure who they are more afraid of. Ares stands up and waves them away. As the temple clears, Ares strolls down toward the altar. He and Xena stand facing each other on opposite sides of the altar. ARES (suavely): He picks a grape off a bunch of grapes lying on a plate of offerings and holds it out to Xena. She glares at him. Ares shrugs and pops it in his mouth as they continue to stare at each other. ARES (sarcastic): XENA (smiles dangerously): XENA and ARES (as she speaks, he mimics her, speaking along with her and slightly ahead of her in a teasing tone): Xena shoots Ares a very annoyed look.
ARES:
XENA (bitterly): ARES (brusquely): XENA: ARES (sighs): ARES and XENA (this time, she's the one mimicking him and anticipating his words): Ares gives her an exasperated look. Xena shakes her head, then turns around and starts to leave the temple. Ares materializes in her path. She walks around him, avoiding eye contact. As she reaches the doorway he materializes in front of her again. XENA (her voice is hard but without real anger):
ARES (grins a little): Xena eyes him silently, then leans forward and kisses him. Gradually their kiss turns passionate. There is a discreet cough off-camera. ACTAEON (still off-camera, uncertainly): Xena and Ares break apart, Ares looking annoyed and Xena somewhat sheepish. ARES: With a slight smirk, he disappears in a flash of light. Pan to Actaeon, who stares at the spots where Ares vanished; he is speechless, his eyes wide. ACTAEON (murmurs): He drops on one knee. XENA (chuckles): ACTAEON (rises gingerly): XENA (crosses her arms on her chest): ACTAEON: CUT TO The temple on the Areopagus. The camera gradually pulls up until we see an overhead shot of the plain with two armies advancing toward each other. When they stop at a distance of a few paces, the camera starts to zoom in. We see Actaeon, now wearing royal armor and a helmet with a crest, riding out in front of the Theban troops. Xena, Gabrielle and Haimon are right behind him, on foot. Then the camera pans over to Capaneus riding in front of his troops, wearing chain mail armor like the rest of his troops but with golden decorations, and with a glittering silver helmet. A murmur runs through the Plateian army when they see Actaeon; some also point at Xena. ACTAEON (raises his voice): CAPANEUS: Xena gives Actaeon a curious look. ACTAEON: He raises his sword and Capaneus does likewise. Before they can call a charge, however, Xena runs past Actaeon and stops between the two front lines of troops. There are gasps and murmurs on both sides. ACTAEON: XENA: The murmur among the Plateian troops grows louder, and Actaeon looks cautiously relieved. Capaneus glares at Xena and turns to address his men. CAPANEUS: There is a momentary silence in the Plateian troops; then, a few voices cry out "No!" and then soon grow to a chorus in which one can distinguish individual shouts of "Death to the Thebans!," "Kill the dogs!", "Fight for the glory of Ares!" Actaeon looks dismayed; Xena shakes her head as she exchanges a somber look with him, and then with Gabrielle. She walks back to rejoin Gabrielle and Haimon. XENA: The sound of a trumpet pierces the air off-camera. Xena, Gabrielle and Haimon look over to the Plateian army to see one of the men blowing a trumpet. Capaneus raises his sword, then brings it down. CAPANEUS: Their swords at the ready, the Plateian soldiers charge toward the Thebans. Actaeon points his sword forward. ACTAEON: The Thebans charge toward the Plateians. Xena, Gabrielle, and Haimon join the thick of battle. The two armies clash and the battle rages. We see a montage of a battle, with shots of Xena, Gabrielle and Haimon fighting--Xena with her usual dazzling array of combat moves using her sword as well as her fists and feet, Haimon fighting with his sword, Gabrielle using her sais to parry her opponents' swords and downing Capaneus' men with swift kicks. The scenes of Xena, Gabrielle and Haimon fighting are cross-cut with scenes of Capaneus and Actaeon riding around the battlefield. Most of the time they are seen directing their troops; sometimes they are seen fighting and taking down a few enemy soldiers. Twice, their eyes meet and linger on each other but then they move on. CUT TO Some time later. The sun is now low above the horizon as the battle continues to rage. Both armies seem to be evenly matched, and it's clear that the men on both sides are getting tired; many of them are staggering and seem almost about to collapse. Many dead bodies are littering the ground and many other men are wounded. Xena runs through one of the men she is fighting, then looks over to see Gabrielle and Haimon fighting. A man charges Xena from behind and Xena shrieks, twirling her sword backwards and ramming it into his chest. He falls down dead; Xena yanks her sword out of his body and takes a deep breath. She sees a group of Capaneus' soldiers charging toward Gabrielle and Haimon. XENA: She runs toward Gabrielle and Haimon, taking on three of the attackers and fighting them with her sword and with powerful kicks. Gabrielle knocks one of the soldiers out with her sais and battles the other. Meanwhile, Haimon is fighting two men. Just as Gabrielle brings down her opponent with a kick to the midsection, she sees Haimon struggling; one of his opponents manages to slash him in the side while the other knocks his sword out of his hand. With a cry of pain, Haimon falls to the ground. Gabrielle's eyes widen. GABRIELLE (screams): She rushes toward the two warriors, knocking down one of them and stabbing the other with her sais, showing no hesitation. The man she kicked down gets up and moves toward her; her face contorted with anger and fear, she throws one of her bloodied sais at him. He falls back, the dagger protruding from his chest. Gabrielle kneels down next to Haimon, fear in her eyes and in her voice. GABRIELLE: He doesn't move and his eyes are closed. Gabrielle grabs her shoulder and shakes him, becoming frantic. GABRIELLE (her voice shaky): Haimon stirs and opens his eyes. HAIMON (winces in shock and pain): GABRIELLE (relieved): HAIMON (smiles weakly): She touches his face, smiling through tears. GABRIELLE: CUT TO Xena is still fighting, surrounded by several of Capaneus' soldiers and unaware of what has happened to Haimon. She has a bleeding cut on her arm. She kills one man with a backward thrust of her sword, then brings her sword down on another soldier; then, using her sword as a pivot, she lifts herself off the ground and spins around, kicking down a few more men. She stops and looks around at the death and carnage around her. Suddenly she tenses. She looks up and the camera follows her gaze up the hill. We see Ares standing at the hilltop, clearly invisible to everyone but Xena. The camera zooms in on him; his arms are folded on his chest, his face impassive. His eyes meet Xena's. Pan to a close-up of Xena's face as she stares at him, then looks away. Xena sees Gabrielle walking toward her, helping Haimon walk; he is leaning heavily on Gabrielle's shoulders, holding his hand to his hastily bandaged side. There is blood seeping through the bandage fingers. Xena looks on in shock. XENA (rushes toward Gabrielle and Haimon): HAIMON (tries to smile bravely): GABRIELLE: Xena looks around and sees a riderless horse galloping around the battlefield. She leaps toward it and grabs it by the bridle, calming it down as it neighs and rears up in fright. XENA: Gabrielle mounts the horse and holds out her hand to Haimon; Xena helps him up. He groans as he gets up into the saddle. GABRIELLE (looks around): XENA (grimly): GABRIELLE (reaches down and squeezes her hand): CUT TO Xena runs up to Actaeon and catches the bridle of his horse. He looks down at her, startled. XENA (yells over the noise of the battle): ACTAEON: XENA: ACTAEON (hesitates for a moment): Xena looks at him thoughtfully. XENA: ACTAEON (laughs bitterly): XENA (thinks a moment): ACTAEON: XENA: CUT TO A little later, Xena, now mounted on a brown horse, is galloping across the battlefield. Actaeon gallops toward her, pursued by a group of warriors headed by the general in the helmet with the purple crest. Xena whips around and looks to the left, where she sees the Theban officer, Braxus, coming toward her pursued by a group of Plateians led by another general, with a red and black crest on his helmet; and then to the right, where another top Theban officer is likewise being pursued by the enemy led by a general in rich armor that shines in the setting sun, in a helmet with a crest of emerald green and gold. As they get closer, Xena draws her chakram and aims it, calculating its trajectory. Then she throws it. We see it fly toward the general with the purple crest and shatter his helmet; he falls off his horse. The chakram flies toward the general with the green and gold crest; we see a close-up of his face, his eyes widening in shock, and hear the sound of the chakram striking. The camera follows the chakram as it flies toward the general with the red and black crest and strikes him in the chest, cutting through his chain-mail armor; with a cry of shock and pain, he clutches at his chest and falls from his horse. Pan to Xena, who catches the chakram, her eyes glittering. The camera pans over the battlefield. There is evidence of panic among the Plateian troops. Some soldiers stand in shock while others start to run. An officer rides up to Capaneus and tells him something that we don't hear over the noise of the battle. Capaneus' face is distorted with rage. He turns and sees Xena holding the chakram and replacing it on her belt. A close-up on Capaneus and then on Xena as they glare at each other. CAPANEUS (shouts): Plateia's troops begin to retreat. CUT TO The chamber at the palace in Thebes where we saw Gabrielle and Haimon before. It's evening; the chamber is lit by candles and oil lamps. Xena sits on a bench while Gabrielle is putting ointment on the cut on her arm. Meanwhile, Haimon is on the bed; a female medic in a long grey robe is tending to his injury. She finishes putting on a bandage. MEDIC: GABRIELLE (turns toward them): HAIMON (smiles at her, then looks at the medic): The medic nods, picks up her bag with ointments and bandages and walks out. GABRIELLE (to Xena): XENA (rises from the bench, looking from Gabrielle to Haimon with an unreadable expression): There is knock on the door. GABRIELLE: The door opens. Antigone and Actaeon come in. ANTIGONE: HAIMON (tries to be facetious): Gabrielle gives him a guilty look. ACTAEON:
GABRIELLE (shakes her head): ACTAEON: XENA (narrows her eyes at him inquisitively): ACTAEON (chuckles bitterly): Xena looks at him thoughtfully. CUT TO A chamber in the royal palace in Plateia. Capaneus, with his armor off, is pacing around the chamber. An officer stands in the middle of the room, fidgeting nervously. An elderly priest of Ares, dressed in the customary red, silver and black, stands in the back of the room, watching. OFFICER: CAPANEUS (brusquely): OFFICER (sheepishly): CAPANEUS: The officer bows and leaves. PRIEST (timidly): CAPANEUS (strides toward him, furious): PRIEST: CAPANEUS (comes even closer to him): The camera starts to pull back until we see the room in an oval-shaped opening. We see Ares in the Halls of War, watching Capaneus in the portal. Ares grins and shakes his head as we: FADE OUT END OF ACT TWO |